Written By: Abhishek Kapoor; Supratik Sen
Aditya Roy Kapur – Noor
Katrina Kaif – Firdaus
Tabu – Begum Hazrat
Mohammed Abrar – young Noor
Tunisha Sharma – young Firdaus
Rahul Bhat – Bilal
Akshay Oberoi – Mufti
Talat Azmi – Salman
Lara Dutta – Leena Becker
Rayees Mohi-ud-din – Junaid
Kunal Khyaan – Aarif
Khalida Jaan – Rukhsar
Ajay Devgan – Mirza Beg
Sameer Roy – young Salman
Language: Urdu; Hindi Genre: Romance; Drama
Abhishek Kapoor’s adaptation of Charles Dickens’ Great Expectations is set in Kashmir. At first, it seems a cinematographic choice but slowly certain themes emerge. The desolate beauty of the landscape, the changes in the season and the almost painful need for beauty and freedom that the characters express comes to us through the land just as it does through the narrative.
Noor (Mohammed Abrar) meets Firdaus (Tunisha Sharma) when he accompanies his brother in-law Junaid (Rayees Mohi-ud-din) to Begum Hazrat’s (Tabu) mansion. For him she seems like a dream riding a horse, free, imperious. Their relationship from their first meeting emphasises the class divide. He is eventually made her playmate and it is increasingly apparent that he is obsessed with her. Begum Hazrat soon parts them and commands him to become worthy of Firdaus.
Years later, when Noor (Aditya Roy Kapur) is busy honing his skills at art, he receives an art scholarship from an unknown benefactor and has to move to Delhi. He knows from prior information that Fridaus (Katrina Kaif) is in Delhi as well. So he sees this as an opportunity to better his lot and inhabit her world.
What becomes central to this romance is the power play between the characters. Begum Hazrat, due to an ill-fated romance tries to take revenge on fate and people by playing Noor and Firdaus against each other. Firdaus, having been trained by her mother, is unpredictable in her affections towards Noor. And it is not just the control the two of them exert on him but ‘fate’ itself seems to be controlling him and forcing him to feel obliged for any baksheesh (alms/bribe) he receives.
Does the political situation actually figure in the story? It certainly has the socio-economic concerns of Dickens’ novel and strangely enough, the political implications of the land do figure.
Firdaus is to be married to Bilal (Rahul Bhat), the next governor in Pakistan. And this is where the line from the trailer enters – “Doodh maangoge toh Kheer denge, Kashmir maangoge toh cheer denge” – If you ask for milk, we will give you pudding, if you ask for Kashmir we will give you a thrashing.
Noor sees Fridaus as Kashmir – pure and beautiful. Then if Bilal is Pakistan, is he India? Or is he also Kashmir? He after all admits to be living in the past. Firdaus for him represents a way of life in Kashmir that is open only to those who have the wealth to remain unconstrained. But there is a fallacy in this, because Begum Hazrat controls Firdaus so everything has become tainted.
Most of the people Noor meets at Delhi are Kashmiri in origin. And while he feels slightly overwhelmed in the beginning with the grandeur, he fits in. If anything, it becomes his space. Aarif (Kunal Khyaan) does not wish to return to Kashmir and neither do most of the others because for all its beauty, they would choose freedom instead. Rather than hearing stories of a Kashmir that was liberal, they would rather live liberated lives.
Most of the characters live in the past. Begum Hazrat, unable to find closure, continues to live in a past of abandonment. Salman (Talat Azmi), Bilal’s father, also never forgets Hazrat who was once his fiancée despite the fact that she left him.
Having seen a previous adaptation of Great Expectations, there was personally no element of surprise but the film is nevertheless a good screen adaptation. All the characters were well cast; in fact, the younger selves of Noor, Firdaus, Hazrat (Aditi Rao Hydari) are uncannily perfect. Tabu in fact has the done the dubbing for Aditi Rao Hydari with probably some pitch modifications to sound younger. Thus it retains authenticity in the film. However, Ajay Devgan was wasted in the film. His character of Abel Magwitch in Great Expectations had so much more to it. And yet it just wasn’t explored in this film. He was downsized to a plot device. The ending of the film, is tame to put it mildly. The whole film expects the narrative to reach a satisfying crescendo and that does not happen.
The artwork and the cinematography were stirring; and the music and dialogues – poetic. The title Fitoor means obsession/ passion/ insanity and it is most apparent in Noor and Hazrat because the others hide it better. Yet it comes out in the restrained violence of Bilal; the longing in Salman and the loss in Junaid.
Note: I was pleasantly surprised to see a friend and fellow actor Sameer Roy in the film. He plays a small role, that of the young Salman, but it was great seeing him in Fitoor.