Directed By: Denis Villeneuve
Written By: Jon Spaiths; Denis Villeneuve and Eric Roth
Cast: Timothee Chalamet; Rebecca Ferguson; Oscar Isaac; Josh Brolin; Stellan Skargard; Dave Bautista; Stephen McKinley Henderson; Zendaya; Chang Chen; Sharon Duncan-Brewster; Charlotte Rampling; Jason Momoa; Javier Bardem
Genre: Science-Fiction; Thriller
Denis Villeneuve’s Dune is an adaptation of Frank Herbert’s 1965 novel Dune. It adapts the first part of the novel that looks into the journey and rise of Paul Atreides (Timothee Chalamet). Set in the year 10191, the universe is run like a feudal system with different noble houses running planets, all of which owe allegiance to the Padishah Emperor.
On the water-rich planet Caladan, the homeworld of House Atreides, the Duke Leto (Oscar Isaac), his concubine Lady Jessica (Rebecca Ferguson) and their son Paul are preparing to relocate to the planet Arrakis – a desert planet known only for its abundant sources of the mystic spice Melange – known to elevate the limits of the mind. The spice is a highly prized commodity, because it ensures safe inter-galactic travel, besides other things.
The Fremen,the tribes that live on Arrakis, have had to see their land ravaged by Outworlders, like the House Harkonnen, who colonise, extract the spice and destroy the planet. The Atreides relocation is fraught with political danger and combined with Paul’s strange visions, there seem to be other dangers lurking.
The film manages to do justice to the source material, retaining the grandeur of the experience. It also eases viewers into a world that is clearly unfamiliar by weaving the information seamlessly into the story. It explores the various cultural and political aspects in the book, albeit tentatively which justifies the cliff-hanger ending since there is much that needs to be answered.
The haunting soundtrack, coupled with stellar performances heightens the grandeur of the film. The realistic inclusion of the almost mystic techniques of the spiritual/psychological espionage network – the Bene Gesserit; a group who function like a shadow government introduces us to a reality where technology is meant to only assist the human and not become smarter. Yet the medieval attitudes and systems at play makes one wonder as to what human advancement is supposed to look like.
Dune part one sets the stage and whets the appetite for a sci-fi experience, if a little intense. It remains to be seen how part two will build on the ideas of politics and religion embedded in Herbert’s novel and do justice to it as a cinematic undertaking.