Directed By: Jim Jarmusch
Written By: Jim Jarmusch
Tilda Swinton – Eve
Tom Hiddleston – Adam
Mia Wasikowska – Ava
John Hurt – Christopher Marlowe
Anton Yelchin – Ian
Jeffrey Wright – Dr. Watson
Slimane Dazi – Bilal
Yasmine Hamdan – Yasmine
Language: English Genre: Drama
Only Lovers Left Alive opens with an image of the night sky which slowly revolves into a gramophone record. The camera slowly spins, taking in Eve’s room (Tilda Swinton) in a circular fashion, and then Adam’s (Tom Hiddleston). The camera moves closer and as the song ends, they open their eyes because their day (our night) has begun.
The slow measured and lyrical pace of the opening sequence sets the stage for the film’s ambience. It reiterates the theme that they are vampires who have seen worlds come and go.
Jarmusch’s poetic tale of love tells the story of two vampires Adam and Eve, who have been married for centuries and hence believe in giving each other their space. Eve lives in Tangier and Adam in Detroit. They stay in touch in their own quaint way, which is telling of how they see the world. Eve is open to technology and hence uses an I-Phone whereas Adam has built his own communication system through outdated equipment.
Eve is adventurous and open to experiences. Her close friend is Kit (John Hurt), otherwise known as Christopher Marlowe who centuries ago staged his death and chose to continue writing. Some of his plays were attributed to his then contemporary Shakespeare. Kit considers Adam to be the prototype of Hamlet and tells Eve that if he had known him when he was writing it, it would have been perfect.
Adam, in contrast to Eve, is a recluse. He is an underground musician who influenced the careers of many artistes such as Schubert, whom he gave an adagio for a string quartet. He is a pack rat who collects instruments, creates music and conducts various experiments à la Tesla. He doesn’t like his music released and has a horror of crowds and too many people. So he procures his instruments through Ian (Anton Yelchin), a human who idolises him. He rarely steps out unless he needs to collect ‘good’ blood from Dr. Watson (Jeffrey Wright), who he meets dressed as a doctor with a face mask styling himself as Dr. Faust or Dr. Caligari (two interesting references).
Adam and Eve’s relationship is marked by old world charm, silent companionship and a fluidity of movements and thought that is beautiful. Their idea of small talk is philosophical conversations.
Adam’s despair at the ‘zombies’ or humans, is matched by Eve’s optimism. She has seen too much and for too long to be very depressed. But Adam’s tirade is a telling commentary on present society which he contrasts with his friends and the people he admires – Kafka, Tesla, Einstein, Schubert, Billie Holiday etc., who showed passion and involvement.
The dissonance in their relationship comes with the entry of Ava (Mia Wasikowska). Ava doesn’t understand their old world concerns and she is a threat to their carefully ordered world. Adam despises her for things she has done in the past and these are hinted upon.
The film is littered with literary puns and inter-textual references of music, film, philosophy, science and literature. It contemplates on the human race, art aesthetics, morality and the paradox of not wanting to live and living.
Beauty fades, but we want to possess it. Does living mean, loving too much and too fast because it cannot be held? Should we live in the moment and consider the consequences? Or should we be cautious about life? And most importantly, is morality and principles really important in the face of survival?
The film is a rich text that the viewer can luxuriate in. However, it will appeal most to someone who understands all the references. It is a postmodern film. After all, it makes Einstein’s Theory of Entanglement seem romantic –
“When you separate an entwined particle and you move both parts away from the other, even at opposite ends of the universe, if you alter or affect one, the other will be identically altered or affected.”