Directed By: Mike Mills
Written By: Mike Mills
Ewan McGregor – Oliver Fields
Christopher Plummer – Hal Fields
Melanie Laurent – Anna Wallace
Goran Visnjic – Andy
Mary Page Keller – Georgia Fields
Kai Lennox – Eliot
China Shavers – Shauna
Cosmo – Arthur
Language: English Genre: Romance; Slice of life; Comedy
Oliver Fields (Ewan McGregor) plays it safe as far as relationships go because he felt his parents’ marriage was dead (just like how his mother used to make him play dead as realistically as possible). But after becoming a widower, when his father Hal (Christopher Plummer) reveals that he is gay; things change. Hal is terminally ill, but gets himself a boyfriend Andy (Goran Visnjic) by advertising and joins various associations/ groups including a gay pride group.
The film goes back and forth in time and constantly compares life in the 1950s with the 2000s. Sort of like if life was a little strict then, people still tried because there were gay prides marches even then. However, now people have the freedom to love and yet they seem to be using this luxury to express a “sadness that our parents didn’t have time for”.
It explores the relationship between Oliver and Hal – who get closer with the honesty that characterises their new relationship; Hal and Andy – Andy who prefers older men after his father rejected him for being gay. Oliver and Anna (Melanie Laurent), a French actress he meets in a party and falls in love with. They realise they are similar in many ways including their fear of commitment.
It also explores the relationship that Oliver shares with Arthur (Cosmos), his Jack Russell – with whom he actually communicates. And how everyone, including Arthur, wants stability and commitment because Arthur keeps checking the status of Oliver’s relationship with Anna – ‘are we married yet?’
Even Oliver’s relationship with his mother Georgia (Mary Page Keller) is insightful. One can understand Oliver better because you realise both parents have had a hand in making him the person he is. They are both artistically inclined so he is a graphic artist. Oliver seems shy and introverted but he has a dramatic side to him that comes from his mother. Interestingly, both parents show this need to ‘come out’ and be honest. If Hal felt he had to be more than theoretically gay, Georgia felt she needed to be part of a grand narrative. Yet they are stifled by societal demands. Like Georgia who gets politely asked to leave the museum because of her socially unacceptable dramatic behaviour.
Hal tries to live as much as possible and tries to keep learning. Whereas Oliver tries to live vicariously by watching other lives or by trying to be part of something bigger, by writing graffiti that proclaim historical consciousness. So Oliver wants a grand story but settles for subversive ways of expressing it. It is probably about how he tries to bridge the gap between his realism and his desires – creating a meeting point between his parents’ personal ideologies.
The title is interesting because we are all beginners in love and we come armed with preconceived notions that do not necessarily turn out to be true. Also, we never see the title of the movie till the end of the film.
Highlights of the film for me, Christopher Plummer – there isn’t any self-consciousness or a half-joking approach in his portrayal of Hal Fields. He went on to receive the Oscar for Best Supporting Actor for this role. The relationship between Oliver and Arthur is also truly adorable because Oliver treats him as a thinking entity.
The film is based on the true story of director Mike Mills’ father who came out of the closet after the death of his wife. It is a sensitively handled story of something that is deeply personal. A special mention, the cinematography – it has a staccato quality that does not jar and melds so beautifully with the narrative.