Directed By: Mani Ratnam
Screenplay By: Mani Ratnam; B. Jeyamohan; Elango Kumaravel
Cast: Vikram; Aishwarya Rai Bachchan; Jayam Ravi; Karthi; Trisha; Jayaram; Aishwarya Lekshmi; Sobhita Dhulipala; Prabhu; R. Sarathkumar; Vikram Prabhu; Prakash Raj; Rahman; R. Parthiban; Lal
Genre: Historical; Drama; Action
Run Time: 2 hours 47 minutes
Mani Ratnam’s Ponniyin Selvan I is an adaptation of Kalki’s eponymous epic historical fiction series. It looks at the rising power and expansion of the Chola Empire during the reign of Rajaraja I or Ponniyin Selvan. The film sets the stage for the conflicts and political machinations that would complicate the story going forward.
Battles are being won and kingdoms are being annexed but besides resentful enemies, there are disgruntled courtiers who want to replace the powers that be so as to have more control over the functioning of the empire. This political plotting is complicated by personal vendettas – Nandini (Aishwarya Rai Bachchan), the Pazhuvoor queen wants to destroy the Chola Empire from within because of her ill-fated past with Aditha Karikalan (Vikram), the Chola crown prince.
Our introduction to the complex world of the time is through the charismatic presence of Vallavaraiyan Vanthaiyathevan (Karthi), a confidante and spy for Aditha who uncovers the courtiers’ plot and then gets further instructions that intertwine his narrative with that of the other players of the story.
The story traverses the length and breadth of the southern lands as well as Sri Lanka. Besides geographical diversity, there are race and ethnic concerns that add to the already murky undercurrents. However, on the surface, it is beautiful, witty like the charged exchange between Kundavai (Trisha), the Chola princess and Nandini. Nothing is openly revealed, but in this political chess game, the women seem to puppeteer a lot of the moves.
Kundavai, for instance, is the astute mind behind many of the ruling powers’ decisions as is Nandini in prodding her husband Periya Pazhuvettaraiyar (R. Sarathkumar), the treasurer, in the direction she wants him to take. Even the erstwhile Queen, Ponniyin Selvan’s betrothed, Samudra Kumari and Oomai Rani, expertly weave the plot.
Like a true historical, it doesn’t become a cult of personality but shows how many players have to come together, how the many different actions taken will finally lead to the events we read about in history books. History books can after all be bird’s eye in its viewpoint and depending on the teller, limited in its framework. While there are fictional elements to this film and novel saga, it does create an important balance in the lopsided historical retellings of our nation.
The music and the score are exhilarating in how it accompanies the storytelling. Also, the gold figurines that were used to give the premise of the narrative were beautifully done.